How to Diagnose SOFA Fatigue

This week, HCCC Curator, Anna Walker, and Curatorial Fellow, Susie J. Silbert, share their thoughts on their recent trip to SOFA Chicago and the inevitable “SOFA Fatigue” that follows.  This phenomenon occurs after spending several days looking at hundreds of objects and talking with numerous individuals at SOFA, the Sculpture Objects and Functional Art fair on Navy Pier. The annual event takes place the first weekend of November and is the longest running art fair in Chicago (18 years). This year, the fair featured over 60 galleries with work from around the world. After several days of air kisses, handshakes, conversations and close-looking at objects, our curatorial duo returned to Houston enlightened but fatigued.
 

SOFA Chicago 2011. Photo courtesy SOFA Chicago.

SOFA Chicago 2011. Photo courtesy SOFA Chicago.

What Are the Signs of SOFA Fatigue?

Glazed Expression

With so many galleries and a section of five featured partner exhibits, there is a lot of art to go through. SOFA is a serious event, and many of the galleries make the most of their small 10’ x 10’ space. For example, Ornamentum featured the work of three jewelry artists:  Eunmi Chun, Caroline Gore, and Laura Prieto-Velasco. While these artists were highlighted with work displayed prominently on the walls, one could spend hours investigating the many drawers of works by other Ornamentum artists.

While we walked through the aisles, the “Solo at SOFA” booths provided a nice pause and rest for our eyes between the many spaces that were filled with work. These were spaces to feature the work by a single artist, and the booth featuring Devin Burgess did not disappoint. His carefully formed works were elegantly displayed in front of stripes of contrasting colors. With a similar attention to space and the careful selection of works, Heller Gallery chose works that filled the walls without overwhelming the area.  

Eunmi Chun,  Gorilla (Brooch), 2010.
Human hair, gold leaf, small intestine of cow, seeds, silver.
13 x 14 x 10 cm

Laura Prieto-Velasco. Charm (Ring), 2011.
Iron wire, latex paint, twist ties, gold plated silver. 3 x 2.2 x 1.8”.
Photo courtesy Ornamentum, Hudson NY.

Devin Burgess, Traces.
Blown glass, wheel cut surfaces. 23x16x12 inches.

Shoulder Strain

Shoulder strain is a common sign that your colleague has attended SOFA Chicago. Each day at the event presents a new opportunity to not only view work but talk with individuals, exchange business cards and, in the case of a few friends, acquire catalogues. The gentlemen at Thalen & Thalen had a beautiful catalogue available for sale alongside the delicate silver works. Each of these paper items was added to the familiar blue tote bag carried by all that includes the large, “official” SOFA catalogue.

Besides gallery areas, SOFA includes a resource area for nonprofit organizations to set up tables and promote memberships and publications. Among these tables, we met with many of our colleagues from fellow nonprofits, including the venerable Namita Wiggers, curator from the Museum of Contemporary Craft, and one of the jurors for the NCECA 2013 Biennial we are hosting at HCCC. Along with Namita, ceramicist Cristina Cordova will be a juror for NCECA 2013. Cordova shows with Ann Nathan Gallery and had a wonderful collaboration on display with Pablo Soto. Speaking of jurors, we also met with Jean McLaughlin, Executive Director of Penland School of Crafts, and one of the jurors for the upcoming CraftTexas 2012 exhibition at HCCC next fall. (The call for artists is open now through March 15, 2012, at https://www.callforentry.org/festivals_unique_info.php?ID=866&sortby=fair_name&apply=yes.)

How to Prevent SOFA Fatigue

Take Breaks

For us, taking a break meant finding a spot to sit and read one of the many publications available for free from the resource area at SOFA. These included American Craft Magazine, Ceramics Monthly, Glass Art Quarterly and Metalsmith Magazine. While we would have loved to have a seat on the sumptuous work by Vivian Beer at Wexler Gallery, we knew better and instead sought out an available bench.  

Take Snacks

Take actual snacks—a granola bar or an apple will do. Without snacks, one might begin to consider the possibility of eating from the decadent collage of frozen-in-time glassware created by Beth Lipman at Heller Gallery. We are excited to see what this amazing glass artist creates for an upcoming exhibit, The Tool at Hand, curated by Ethan Lasser of the Chipstone Foundation and opening at the Milwaukee Art Museum in a few weeks. In this exhibit, 14 artists were challenged to make a work using only one tool. The show will then travel to HCCC in the summer of 2013.

Beth Lipman, Whatnot I, 2010
Glass, glue, wood, paint. 84 x 42 x 30
Photo courtesy of Eva Heyd

Start Early

SOFA opens to the public at 11 a.m. However, if you have a VIP pass, you can get in at 10 a.m., and it’s necessary to go early if you want to see any work. We enjoyed marveling at work by Mark Peiser at Wexler Gallery that caught the light and presented a luminescence, drawing us in from far away. The jewelry exhibition of work by current and recent Cranbrook graduates, along with the Geography exhibition by Art Jewelry Forum, were also not to be missed. Walking through and identifying the work in the Cranbrook booth was an artistic experience in itself, thanks to the finely drawn map by Amy Weiks.

Starting early not only applies to the fair, but also to the networking that happens when hundreds of professionals in one field descend upon a city. We were happy to connect with neighbor Paula Owen, President of the Southwest School of Art, and learn about an upcoming exhibit featuring the work of Sonya Clark.

With these helpful tips and links, you’ll be ready to make the most of your next trip to SOFA and avoid the glazed eyes, sore shoulders, and zombie-like state of SOFA Fatigue!

--Anna Walker & Susie Silbert

Heidi Gerstacker Trunk Show – Coming Soon!

This week, Asher Gallery Manager, Suzanne Sippel, shares her thoughts on Houston metalsmith and jeweler, Heidi Gerstacker.

I have worked in the Asher Gallery at Houston Center for Contemporary Craft a little over four years. When I first started here, my mind was boggled by how many jewelers I represented, along with the sheer breadth of aesthetics and techniques. Having spent some time with fine jewelry in my former life, it was fun to start looking at fine-craft jewelry and seeing each piece as part of a larger oeuvre and not necessarily as client-driven work. There’s a great feeling when artists explain their techniques and passions. This was something I really enjoyed as I got to know Heidi Gerstacker.

Heidi has been represented by the Asher Gallery since November 2002 and has also been an active part of HCCC since its inception. She is active in the arts community in Houston and is part of its bloodlines.  Having attended jewelry classes at Bellaire High School and earning her MFA from the University of Houston, Heidi is an integral part of Houston’s metalsmithing tradition.  As we got to know each other, I was struck by how rare this is.  We may have many transplants and late-bloomers, particularly in fine craft, but there are few born-and-bred Houston career artists.

Working primarily in sterling silver, Heidi has created a consistent body of work over the years. Upon hearing marquise, most people think of diamonds or bad romance novels, but those in the know think of Heidi’s work. This shape forms the basis of her production jewelry. The crisp clean edges of the marquise bring out the strength of the precious metals and the precision of the maker’s hand. I believe this is what accounts for the timeless look that her pieces hold. They would and will feel modern, regardless of the era. But this is not the only part of Heidi’s aesthetic. She looks for the balance between having production pieces and defining one-off studio work. This is a difficult line for many artists to walk—creating works that can support their careers, while still producing the art that drove them into their fields initially.

Heidi Gerstacker, Marquise Pendant, sterling silver, moonstone, 2010.
Photo by the artist.

Leaf Brooch, sterling silver, moonstones, 2011. Photo by the artist.

It is this balance that you will find at Heidi Gerstacker’s Trunk Show at the Asher Holiday Soiree on November 17th.  You’ll find both stunning original pieces and the classic jewelry that has made Heidi a household name on the Houston jewelry scene. This is a special event for the Asher, as it is our first trunk show with Heidi in many years. It’s also rare to find so much of Heidi’s work at one time, so do not miss this opportunity! 

We’ve scheduled this event to fall on the first evening of the Houston Museum District’s Member Sale. With a current membership (at HCCC or any of the museums in the District), you’ll receive a 20% discount off your purchases (some restrictions may apply). We have made it as easy as possible to add to your collection of Heidi Gerstacker jewelry or to cross names off your holiday gift list. Now it is up to you to visit us!  Heidi’s trunk show will take place Thursday, November 17, 5:30 – 8:00 PM, and Saturday, November 19, 11:00 AM – 4:00 PM. Please come early for the best selection—once we’re out, we’re out!

--Suzanne Sippel, Asher Gallery Manager